The English Folk Dance and Song Society websites use cookies.
You can read more about cookies and how we use them here.
Continued use of this site implies that you agree to our use of cookies.  
At the heart of English folk

RVW1 Ralph Vaughan Williams Folk Song Collection (at VWML)

Use the arrow buttons to open and close levels in the hierarchy.

 
Close

Ralph Vaughan Williams Folk Song Collection (at VWML)
Ralph Vaughan Williams Manuscript Collection (at VWML) (RVW1)

First Line
Performer
Date collected
Place
Collector
Roud No
Show all fields
Alt Ref No
Format
Type
Subtype
Src Contents
Named Tune
Child No
Laws No
Notes

Two collections of Ralph Vaughan Williams' papers are included in the Full English project: his Folk Song collection at the British Library (referred to in the Full English as RVW2), and the smaller collection at the Vaughan Williams Memorial Library (RVW1).

RVW1 Ralph Vaughan Williams' folk song papers held at the English Folk Dance & Song Society. These are arranged as follows: RVW1/1 comprises mainly correspondence and song texts, mostly written by people other than Vaughan Williams. Some may be from other collectors, but others are clearly in the hand of the singers from whom Vaughan Williams noted the song, or their families. RVW1/2 contains mainly tune notations. RVW1/3 is Vaughan Williams' broadside collection comprising 84 items.

RVW2 Ralph Vaughan Williams' folk song papers held at the British Library. This collection consists of three thick bound octavo volumes (RVW2/1 to RVW2/3), one bound quarto volume (RVW2/4), six small unbound ms books (one quarto and five octavo) (RVW2/5 to RVW2/10), and four loose sheets of ms paper (RVW2/11). The three octavo volumes each contain a number of small oblong manuscript books bound together. The corresponding British Library catalogue numbers are: Add MS 54189-54191 | Add MS 59535 A-M | Add MS 59536.

Author / Composer
VWML Location
Repository
EFDSS Archive
Printer / Publisher
Pub Place
Pub Date
Level
Fonds
Volume
Assoc Source
Date extant

Media

0 media items.

Show all media items

Relationships

Sharing

Close Ralph Vaughan Williams

Ralph Vaughan Williams (1872-1958)

The eminent English composer Ralph Vaughan Williams was born on 12 October 1872 at the vicarage in Down Ampney, Gloucestershire, the youngest of the three children of the Revd Arthur Charles Vaughan Williams (1834-1875) and his wife, Margaret Wedgwood (1842-1937). When Arthur died in 1875, his widow and children moved to Leith Hill Place, Surrey, Margaret's family home. In 1883 Ralph began preparatory school at Field House, Rottingdean, Sussex, and early in 1887 he went on to Charterhouse School, which he attended for three and a half years. He played in the orchestra at Charterhouse and in 1888 organized a concert there which included a piano trio composed by him.

 Vaughan Williams's professional life did not begin until 1890, when he entered the Royal College of Music. Here he studied with the most authoritative British composer of the day, Hubert Parry. Even broader horizons opened up in 1892 when he went up to Trinity College, Cambridge, to take a MusB (1894) and to read for a BA in history, in which he graduated with a second in 1895. After Cambridge he went back to the Royal College for about a year, this time as a pupil of Charles Stanford, another dominant figure in British musical life of the mid-1890s and later to become involved in the formation of the Folk-Song Society in 1898.

Ralph had been aware of both John and Lucy Broadwood's published collections of folk songs from an early age and became caught up in a burgeoning interest in them towards the end of the century. So much so that he began lecturing in the subject in 1903 and collected his first song in December that year, Bushes and Briars from Charles Pottipher (maybe Pottiphar) at Ingrave in Essex. During the next ten years he went on to amass over 800 songs and carols, together with some singing games and dance tunes, principally in East Anglia, Sussex and Herefordshire, sometimes in the company of other eminent collectors such as George Butterworth and Ella Mary Leather. The First World War really put an end to this chapter in his life, although the influence of folk song stayed with him and was significant in a number of his most famous orchestral works. It was also fundamental in his editing of The English Hymnal, published in 1906, for which he borrowed tunes from a number of prominent collectors of the period.

When Ralph Vaughan Williams died in 1958 he was President of the English Folk Dance and Song Society (EFDSS). It was decided that year to rename their library in his honour, even though most of Ralph's folk music and other manuscripts were deposited subsequently with The British Library. His folk music scrapbooks and broadside collection resides at the Vaughan Williams Memorial Library (VWML).

Browse the collection

Ralph Vaughan Williams

Find out more about

Lucy Broadwood
George Butterworth
Ella Mary Leather